“Dear Writer, I regret to inform you that…”
Unsolicited
scripts and treatments that didn’t make the cut.
CUSTARD AND CREAM (DECEASED):
Dear BBC,
Please find enclosed a
treatment and script for my thrilling new detective series ‘Custard and Cream
(Deceased)’ which I think you’ll find both humorous, exciting and full of
intrigue!
Two old ladies, former
workers at a biscuit factory, team up to fight crime. It’s a detective series
with a twist, though – one of them is nearly dead!
I am confident that with
such a distinctive hook it could be a Saturday teatime sure fire ratings winner
and easily filmed on a small to medium budget.
Since the BBC is hardly
strapped for cash, I think my rate of £7500 per six draft scripts is pretty
fair – but I am open to negotiations.
Happy reading!
Yours truly,
Andrew Hack, (writer).
The Pitch
Fingered by the police; unjustly convicted for attempting to
poison biscuit mixture by urinating into it, Liverpool
comrades Alma C’ustard and Betty Crème were released from Holloway Prison aged
75.
Determined to fight crime wherever they find it and bring
wrongdoers to book, they pose as two dotty old market gardeners and befriend
local likely lad and police informant Huggy Dog, a hip hop breakdancing
graffiti artist from the rough side of Croxteth Heath.
And they have one unique advantage over the criminals –
Betty has been told by Ted McNoflock, an itinerant Scottish vicar, that she
could be nearly dead! She can now dress in a white smock, pretend to be a
ghost, and frighten criminals into confession!
EPISODE1: Fatal Traction
TITLES:
GRAMS:
Hire John Barry immediately. He’s quality.
If Barry is unavailable, dead or you
are too miserly to commission him, then something mysterious yet quirky, played
on a Stylophone, to emphasise the strange nature of the detective duo.
You may use these lyrics and no
extra cost:
‘Custard
and Cream, oh Custard and Cream,
one’s
alive and the other is nearly dead.
Together
they are a top crime busting team,
because
one of them hates eating bread.’
GRAPHICS:
A mixture of live action and animations in blood red. It might be class to have
one of them stretching out their palm at a car trying to run them down, then
cut to the other at their graveside. Something like that?
CUT TO:
SCENE
1. A FIELD NEAR CROXTETH HEATH - DAY 1
[0830]
It is raining dog’s abuse on a field
which we see from above.
In the far corner, getting pelters,
is a large, old fashioned traction engine. The hood and funnels are smoking and
drops of rain sizzle and spit as they bombard the chassis.
Underneath the gigantic steel wheels
is a crushed corpse. Its (male) face
is twisted into a permanent mask of horror as though it witnessed the oncoming
engine and was unable to escape being crushed.
The rain is turning the field into a
soggy mess of vegetation. Only fools would be out on a day like this.
At the other end of the field we see
two ladies: Alma C’ustard and Betty Crème. Betty is, as usual,
dressed entirely in white.
As we zoom in, we see both have
trowels and are digging in the shrubbery.
They seem not to have noticed the
horrific scene in the other corner of the field.
C’USTARD:
(Excitedly)
Oh, good gracious me. What have you
got, Betty?
CREME:
I think it is a rare species of some
nettles. Smell this.
C’USTARD:
(Yelping)
That stings a bit. Get it away will
you?
CREME:
Sorry, Alma . Do you want some tea?
C’USTARD:
That’d be nice, Betty.
CREME:
Biscuit?
C’USTARD:
Oh yes, what have you got?
CREME:
Custard creams. What else?
Both laugh uproariously as if
sharing a private joke.
The laughter continues for several
minutes.
Still shaking with laughter, Crème unscrews her thermos and pours C’ustard a beaker full who takes it.
They sit on the sodden fields,
chewing thoughtfully, and now notice the traction engine smoking at the far
end. A man is running away in the
opposite direction.
The man is dressed in overalls decorated with arrows, wears a mask that
obscures his features, has a ball and chain attached to his left ankle and is
carrying a sack which has the word ‘swag’ written on it in large letters. This
is the villain.
C’USTARD:
I say, Betty, a man! Enjoying a walk
in the countryside I expect.
CREME:
Yes.
C’USTARD:
Could you pass me another biscuit?
CREME:
Custard cream?
Both laugh uproariously as if
sharing another private joke.
The laughter continues for several
minutes.
C’ustard’s
face becomes serious.
C’USTARD:
Do you ever get…
CREME:
(Completing
the statement, equally seriously)
…tired? Tired of this never ending
life of crime busting whilst posing as dotty market gardeners? Tired of finding
murder after murder in improbable locations and solving them within an hour?
Tired of pretending to be nearly deceased?
C’USTARD:
No. Tired of custard creams. Ever
fancy a garibaldi?
CREME:
Course not. Then we’d be Gary and
Baldy (Deceased), wouldn’t we?
CUT
TO:
Dear Mr Hack,
Thank you for your
treatment and script, which we read with interest.
Unfortunately, we
currently have no plans to commission a new detective series like the one you
have sent us. We find the public have no taste for bizarre and incredible
situations such as those contained in your script.
Writing for television is
a difficult skill.
But don’t give up! If you
have any further ideas to submit, please do send them to our drama department.
Yours sincerely,
The BBC.