It’s Alive (But the Jury’s Sitting)
You’d think on viral days
they might give it a rest
these early rising double
breasted, great crested,
Shrieking Yammer Tits. Dawn
chorus sunup clods
you’ll switch on for news
with some resigned nod
on know-all day, they
backhand dodge every call,
squeezing out paste-board
mock up titters for all
stupid enough to enter
here. Over it like a rash,
ruin football stats like
any stupid hack and dash
out parrot rote cliché, twittering
gegenpressers,
interview second rate
past-it comedy managers
for kicks and giggles. Look:
just piss off, go away,
put a sock in your hole,
ruin somebody else’s day,
but no: cut to music, like
they’d know a cool set,
recall more seventies
stars than you’d ever forget,
wheel in poor misbegotten wet
public virus inmate
from handkerchief back garden,
giving us updates
about fridging four tins
of McEwans Export for him
some sweet Asti-Spumante
Lambrini raspberry gin
whipped up in an instant
under cheap windbreaks,
leaking tents and piss
puddles soon turn into lakes
by a portable telly. Fire
up disposable barbecue sets
for a locked down bubble-up,
double-up Glasto-fest.
You find this squawking repulsive,
then turn it off,
they say, but, no, it’s
always there, ears of cloth,
creamed jeans and wet
patches, all endlessly fine,
relentless high pitched
constantly repellent whines
of gosh, goodness, I’ve
lost the page in my script,
into spongy microphones
full of dribbles and spit,
toss homebrewed piss-grenades
into the crowd,
never knowingly right;
never unknowingly loud.
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