Saturday, 21 June 2025

Carrie

 Carrie


If it is the manner of your leaving,

if nothing in your life becomes you more,

then Carrie doesn’t live here anymore.

 

Across the water, jets strafe land,

inky fingers smear subterranean plans,

while keys are turned by iron hands.

 

Another skyward salvo wheels its weary way —

shall we live another day

if the watching world goes ballistic?

 

Yet if you ripped skulls apart

to find her thumbprints on the heart

of this torn world,

then Carrie doesn’t live here anymore.

 

Because it is the same for us all.

In bunkers, we see exits, crawl

with hands out for pocket change,

then shrug, claim

we chose the moment, set the terms —

but Carrie’s insides burn.

 

Now, her podium come round at last,

she slouches certain for the steps,

bilious-hearted, no regrets,

her sharpened teeth on edge.

She commands the Christian congregation

with words deaf to other nations,

voices departure, closed doors,

for Carrie doesn’t live here anymore.

 

She speaks of a slighted spouse,

how he had to leave the house —

a scandal with Jesus’ sandals,

skateboards, and the sin of wrath.

 

With tremulous voice she denies sloth,

how hard it is to raise a child,

how hard to raise a smile

nursing a stabbed back, while all the while

missiles fall like hail and farewell.

 

So now, you see, it’s plain to tell

that Carrie doesn’t live here anymore -

and if she left a forwarding address,

would they even raise a breath?




Friday, 20 June 2025

Bag

 Bag

 

That brown paper bag

tossed off street side,

late of leftover lunches

looks like a dog sitting on its haunches.

What’s that? Its back legs.

It’d jump up and beg

for something in your hands

if it wasn’t a sack with handles.

But it’s not vanishing,

like Hopkirk - when Randall

tells him to hop it, buzz off, take a hike

or when that Tory git said

get on your bike -

was it Tebbit or Lamont?

Well, bike is it? I’ll give you bike:

You probably don’t have one

and wonder why

wine stains don’t vanish

when you apply something magic,

patented, guaranteed to cure,

more a helper than an evil doer,

she pressed her iron

to the armpit - and wrinkles her nose

in disgust at the smell of labour -

it smacks of common sense

you’re sat on a fence that’s walking away.

Do that dog a favour,

before it’s blowing in the wind

to the sound of a Kevin Spacey voiceover -

look - she’s all moist,

dabs the liquid from her eye

with a Kleenex she just licked

then, with a rueful flick

of the wrist is rid of it.

Bomb the bastards someone said,

maybe Kenny Everett

maybe Brother Lee Love

and do it in the best possible taste,

the dirty work, that is.

Don’t make me laugh, nuclear waste?

That brown paper bag looks like a dog.

If you throw him a stick.

He will not fetch it.




Friday, 13 June 2025

Moment

 Moment

 

It could be of moment,

allies snarl, become opponents

anyway, anyhow, anywhere.

Red touch paper, ignite blue —

who’s done more

than his fair week’s share —

slams door, wages war,

tosses cope, throws shade,

resentment grew, fuse blew,

well, what’s a boy to do?

 

He considers primary colours

in England’s wild hedgerow,

how vast her gardens grew,

profuse in green and yellow.

Pauses; considers lilies in the field,

who toil not, of little yield

and only spin tall tales,

send screeds about sick days,

holidays, awaydays, cut pay,

and slashed seats or fares.

 

If red tosses hand grenades,

find him down the esplanade

Blue shrugs — outplayed,

spreads waters with palm oils

while covertly his insides boil.



Thursday, 12 June 2025

Papermate

 

Papermate

 

A bleak midwinter’s day in June

icy winds descend the flume,

sweep the soot throughout the room

and the usual tunes

recycle through your head, don’t they?

Ah, something from A Hard Day’s Night, perhaps,

You Can’t Do That, If I Fell,

You Should’ve Known Better

and what’s that smell?

 

Yes, from the range, steam,

what a choker,

neck twisted, expertly broke,

there’ll be a feast

for here’s a potful of grease,

a slaughtered goose cooked -

and wasn’t there a game called that

one Christmas?

 

You’d balance plastic figures,

multicoloured - long before

that was even a thing

on a fake saucepan lid,

watch it pivoting,

shivering - imagine waters boiling

before plunging in,

and what’s sauce for the goose,

is sauce - well, you know.

 

Now you remember

that sheaf of paper

thrust into your hands,

like an afterthought before a forethought,

or barely any thought at all -

maybe it was half a ream;

late paper for paper's mate.

 

You’d been feeling sick -

a rare day off school,

swinging the lead, they’d say,

on your birthday -

pigheaded, thick-eared,

depressed heat oppressed brain,

still, mustn't complain

about feeling the strain,

tired of watching your back,

in this war of attrition

of constant attack

and the forces ranged against you?

Unequal in the extreme.

 

Such Masters of Risk,

rattling beads, rattling cups,

throwing six, throwing up,

positioned up mountains, marching plains,

searching subterranean homesick drains

to winkle you out

with a cocktail stick.

Gaddafi’s final chukka.

 

Run through, pricked,

adorning half a grapefruit -

a sandwiched chump

skewered beneath a pineapple chunk

and somewhere up north from cheese,

make it Edam, please,

something synthetic.

 

The table’s set,

under flickers of candelabra

that never quite banished

Herman’s creeping dark,

five places, six faces -

it’s all vanished

won’t come back, now,

within your fog - lost,

buried beneath ice and frost.

 

But on peeling paper, by the door,

if you peer hard enough,

it can still be seen -

sticky brown residual trickles,

where a grenade

of homemade pickles,

was hurled and smashed

above his head,

shattered into smithereens, it’s said.

 

Careful, now, here’s sentiment,

pinpricks the hairs on skin,

rising forensically to dust glasses

for onion peelings,

ripped up grasses,

rippling the drink

to swim in the water within.

 

Still, your turn for a good one.

Strange words, these, off-hand

like a refusal to commit,

delivered in steel and grit

through teeth, not lips,

and you’re left holding

these 250 sheets approximately,

like Queen Jane.

 

The paper’s plain

but ready to be typed upon

receive an imprint.

I can still see you

holding that pale, blue lidded

Smith Corona in something like light,

as though you’d just learnt to write.

 

And later, in the relative

safety of the trenches, delight,

mapping plans for flight -

while you never could win this fight,

there’s always tomorrow.

 

A strategic withdrawal,

you could claim,

although, to be more mundane,

truth is, there’s never choice,

only later, when you found a voice,

you expressed sorrow.

 

As for what happened next,

well, it served its time,

saw action, fought campaigns:

those keys were well-worn

by the time all doors were knocked

latches lifted and unlocked -

going with you as you travelled.

 

Before my ink ribbons unravel

or are replaced,

just this - you told them

about the typewriter -

and they asked you with a sneer at school,

was it a Petite?

 

But, looking back,

it was anything but that.




Saturday, 7 June 2025

Pluck

Pluck

 

The scrolled headstock of the double bass

stands proud, dominates the pit - conduct it.

Your experienced hands should flex and grip,

bowing low groaned notes with supple grace.

 

His baritone's not yet tempered - guide it.

Place fingers over his, show where to press,

loose low cut silk kaftans, hot swelling breath,

breve him there in brave minims and crochet.

 

A resin dripped mystery to reveal

gold tresses, balled hay enough - play there.

Your curves you rest heavy beneath his hair

now awaken such melodies, he reels.

 

Your manuscript he trembles to unfold,

dreams lusty airs to scriven on your scroll.




Friday, 6 June 2025

Clay

 

Clay

 

Musetti retires — injured, hurt,

picks himself out of red dirt.

 

We’re not talking Mars

or women from Venus,

you understand —

he simply isn’t the man Andy was.

 

Sympathetic sneer from Alcaraz

rocking a fist pump

as he brushes himself down —

maybe another also-ran;

think Dimitrov, think Tsitsipas,

then bring the trainer on.

 

He was bagelled, third set —

didn’t win a Grand Slam yet,

modelled from clay,

on which he played —

and must someday return.

 

Which, of course,

is where he fails:

too far behind the line,

or too close —

one drop shot too many — he’s toast.


Serve volleyed

unforced errors, netted balls,

argued with the umpire’s calls,

twisted ankle — falls.

 

We do not judge too harshly

nor condemn;

as fallen men,

we are not thickened —

after all, could you?

 

Do it, I mean?

Use a racket edge to hit clay,

smashing dirt from your shoe,

watch it scatter — pray —

for closed roof, rain stops play,


covers the courts

and cleans the temple’s table tops —

throws them over,

up one set, lost the breaker,

your chin’s got to drop.

 

No, of course not —

but we do our own thing:

some of us ball boys,

net stretchers,

purveyors of headbands,

sweaty go-getters.

 

Yet how strange it is —

this n-shaped parabola,

rising, falling — listen —

you can hear my line judge calling

to me: define vertex,

would you? Oh sure —

 

I saw Rafa, I saw Roger,

I saw your actual fab four

crossing Abbey Road for a laugh,

unaware they were on a graph

as vertices or nodes.

 

We miss them terribly,

without irony,

but they called it out

within my span,

played on the clay that makes us man.




Thursday, 5 June 2025

Seeds

 

Seeds

 

Somewhere within, there’s seeds

from where her bushes grew.

Like gorse blossoming from grit,

rooted in shallow, stony loam,

seems well pleased

with what she calls home.

As cunning ragwort colonises,

travels railways and road

uses any way winds blow,

to drift her shallow roots.

With little effort to offer little,

more the taker than the giver,

consumption will destroy livers,

spreading toxins through the body,

she flourishes by quarried graves.

Her blackened thickthorn

sprouting forth, take their course,

but she recoils with denial,

unctuous she buds wan smiles

as if she hadn't got a clue,

mouths what is it that I don't do?

Gazing upon her shedding seeds

you might ask what is it she believes

and how these bushes grew.




Picture

 

Picture

 

Picture this: a sky full of thunder,

no, no, cut that, Blondie.

A villain in a cowboy’s hat –

and the face just falls,

into frame

before they’ll put a bullet

in your brain.

Then again, long shot,

diegetic sound,

a man whistles through teeth,

softly, softly, offscreen,

polishing steel until it gleams,

then cocks, rifle shot,

and someone far distant,

far below,

sees it all, just for an instant:

just a dot, 

just a blot

in amongst the towering rocks

of Monument Valley.

Picture this: my telephone number,

no, no, cut that, just you, 

captured in Cinemascope,

high heels, coffee, cellphone,

strutting cross canvas landscapes -

with manic dream pixie eyes

picked out in pixels,

the centre of your own romcom -

credits rolling long

before you see 

the wheeling of starry skies.




Wednesday, 4 June 2025

Leaves

 Leaves

 

Winds shall whisper forgive

all the lives we lived

and we did.

 

But winds only are

what they nothing do –

 

have no voice

to heal bruises

that long ago took root;

flourish with just a little rain.

 

Weeds push at cracks

have power winds lack -

when you look back,

stones are split

concrete is grit

pavements you laid

are pothole bits.

 

Olive tree within a grove

where nests the dove

will topple, will bleed –

 

for winds must dust

this land with seeds

and come the fall

scatter and shed leaves.